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After exploring such lofty issues as misanthropy, Gibsonian cyber-science and alien abductions, Mudvayne are toying with a much more simplistic concept: if at first you don't succeed, try, try again.
The Joel Peissig-directed video for 'Not Falling,' released in October, failed to ignite at video channels, so the group shot a new video with Dean Karr, who has previously worked with Tommy Lee and Mushroomhead.
"We weren't very happy with the last one," singer Chud (a.k.a. Chad Gray) said. "It was just dark imagery and we're sick of that. We're trying to get away from the dark, angry, monster cartoon character crap that's been following Mudvayne forever. We've always enjoyed visuals, but you don't have to take everything so literally. The only thing we take seriously about this band is our music. The names and the makeup don't really matter to us."
The new video for "Not Falling" was shot last weekend in Toronto and will depict the band's new stripped-down look. Mudvayne appear sans consumes and in hardly any makeup, which is how they plan to perform on their upcoming tours with Linkin Park and Metallica.
"All the makeup got to be a bit much," Chud said. "Now I just do a little black around my eyes and sink my cheeks in. We're not doing a whole lot of greasepaint anymore, and I'm not wearing the bunny suit either (the furry costume covered in blood, torn muscle and protruding bone). I loved it, but it's retired. It smelled like you wouldn't believe because I could never wash it."
Most of the footage for "Not Falling" will be performance based, but there will be conceptual threads that Chud refuses to reveal.
"Obviously, we don't want to give anything away," he said. "But we're going to do things that tie into the record and reveal what that song means to us."
When "Not Falling" runs its course, the band will release "World So Cold," though no exact date has been scheduled. Chud describes the song as "the best track Mudvayne have ever written."
"It has the most continuity and the most flow," he said. "It's kind of like a journey. It has all the elements of melody and hook and heaviness and it changes and moves throughout."
The song addresses frustration, loss, neglect and world conflict and seems more relevant with each passing day. "It's about the state of the world right now," Chud said. "It asks, what are we doing? Where are we going? What drives humanity to want to kill itself? It doesn't make any sense to me. Why would you ever build a nuclear missile or any weapon of mass destruction? Who's gonna protect us from ourselves?"
Mudvayne will remain on tour with In Flames through the end of the month. Then they'll hook up with Linkin Park, Xzibit and Blindside for the beginning of the Projekt Revolution tour, which launches April 8 in Rochester, New York
"We're friends with [Linkin Park]," Chud explained of the seemingly unusual pairing. "We were on Ozzfest together. They were on the main stage and we were way over on the side stage, but they did their signings during our sets. They became fans of the band because they had to listen to us every day. We're a hard listen, but if [you] give us time maybe you'll open up to us. I think that's what happened with those guys."
After the Revolution comes to an end, Mudvayne will tag along with Linkin Park through the Summer Sanitarium tour, which also features Metallica, Limp Bizkit and Deftones.
"We're opening the tour, so it's gonna look like we're playing for 10 people," Chud said. "But it will still be a great opportunity for us. I think [we got booked on the tour because] Metallica kind of recognized us. I heard that they dig the band or like our style of music."
Jon Wiederhorn

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MUDAYNE A Pleasant as a cartoon where everyone dies in the end. Go into any average college dorm room across the United States, urges Kud, a former art major and current garishly painted frontfreak for Midwest carnival-of-souls Mudvayne. You'll probably see a wall-hung reproduction, maybe even a hip new inflatable version, of Edward Munch's harrowing hallmark painting, "The Scream." But look at it closely, he invites. "The colors are drab, the concept behind it is truly frightening-there's somebody standing on the end of a pier, freaking out." he notes. "Yet, it's inviting. It's not easy, but people want it. And that," he chirps, "is exactly how we see our music." And Mudvayne's Epic debut, L.D. 50 (named for the lethal dosage required to decimate 50 out of 100 pharmeceutical test subjects) is equally harrowing with its industrial/metal riffing, stop-on-a-dime tsunamis of melody, and Kud's stick prodded pitbull vocals. In his bib overalls, spiked topknot, knee-length twin goatee tendrils and elaborate facial makeup, Kud resembles Blade from the movie Puppetmaster attending his first Leatherface chili cook-off. In Mudvayne's early days (roughly four years ago), the band members weren't easily painted-musically or literally. Gradually, the group adopted their current individual stage personas. Guitarist Gurrg looks a bit like a flash-fried porcupine; bassist Ryknow could be Darth Maul after missing his UPS delivery three days running; and scruff haired drummer SpaG..well, to be truthful, with simples lines adorning his mug, SpaG just doesn't seem to be trying as hard. Mention this to Kud, and the vocalist is aghast. "You mean those vertical black-and-white stripes?" he counters. "I'll tell you what, I did that! I did those vertical lines, and that shit took me some time. It took over three hours to get those stripes as perfect and symmetrical as they are. SPaG has more time involved in his makeup than any of us!"- Tom Lanham
Sound Bites Album > L.D. 50 (No Name/Epic) Headquarters: Peoria, IL Sounds Like: Nine Inch Nails stabbing/shooting their way through the Resident Evil mansion. Kindred Spirits: Statix - X, Slipknot, Marilyn Manson
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Hit Parader Jan. 2001 Mudvayne A Lethal Dose They may very well be the face of rock and roll's future... and the members of Mudvayne are the first to admit that it's not a very pretty face. In the wake of Slipknot's harrowing, horrifying visage becoming the standard against which all contenders for the New Millenium shock rock title must now be measured, along comes the Illinois-based quartet who just may have what it takes to become metal's Next Big Thing. As shown throughout their debut album, L.D. 50, bassist Ryknow, guitarist Gurrg, drummer sPaG, and vocalist Kud are the next evolutionary step in modern rock outrage and power - the lineal descendents of Kiss, Cooper, and Manson with a decidedly hallucionatory, hell bent X factor tossed into the mix for good measure. Their look my be best described as four escaped inmates from the looney bin, and their sound....well, their sound simply has to be heard to be believed. Mixing stark soundscapes with blistering, ear-bending blasts of virulent metal, these guys have created what may well be the most lethal musical attack ever presented by a major lablel. Already their approach has raised eyebrows and generated media scrutiny where ever they've appeared, in the process allowing Mudvayne to emerge as one of the most talked about, over-hyped and focused upon bands in recent memory. But all of this attention has done little to distract Mudvayne from the task-at-hand. They're the first to realize that extensive media coverage and blistering industty debate does not necessarily guarantee a group's ascendency to stardom. But with response to their first album - and it's initial video Monolith(?)-already drawing big check marks in the "plus" category, these guys sense theyv'e actually taken the first major step towards attaining many of their long-term goals. "I really feel like we're trying to do something different and test the waters here," Kud said. "The only advice we can give you is that if you're scared by what we do, don't buy our album or come to our show." "The overall theme of the album," added sPaG, "reflects adn embodies ideas about evolution of consciousness, transformation, and the risks involved in experimenting with things that can change a person's point of view both internally and externally." It's taken the Mudvayne mob nearly five years of steady work to break out of their mid-western musical "prison" and being to attain the kind of international audience they seek. Prior to forming in 1996, the band's members had spent much of their previous decade in a variety of other Peoria area bands, trying-mostly in vain-to find the like minded musical souls who shared their somewhat warped perspectives on the contemporary music scene. Gradually the forces now featured in Mudvayne began to discover one another-drawn together by both their desire to be different, and their need to express their unconventional attitudes in the national spotlight. Soon the foursome began expanding their realm of influence, traveling as far west as Denver and as far east as Philadelphia in order to play in front of their slowly-expanding fan base. Somwhere else along the way , the group came to the conclusion that their live shows would have even more of an impact if they decided to paint their faces in a variety of colors, symbols and styles. It was the element that finally put Mudvayne over the top. "We always wanted to try and bring some visual aspect to what we did, but of course our budget limited what we could do," sPaG said. "The makeup just came upon us. But we don't want people to try and interpret some deep inner meaning to what we wear and what we do to our faces. Those things don't necessarily symbolize anything, and I'd really hate to see things like that taken too literally. I feel the same way about our music-we try to leave it open to the listeners to make their own opinions about what it is we're really doing." So what exactly is it that has inspired these lads to beign such a radical, some might even say perilous, sojourn through the rock and roll world? Was it some kind of warped upbringing in the American Heartland? Was it some in-born mental imbalance shared by each of these four kindred musical spirits? Or was it merely a reflection of what they saw, heard and experienced as normal kids growing up in the Land of the Plenty? The fact is that Mudvayne are the Youth of America, products of the great, dark American underbelly. Much like their mentors and frequent touring mates in Slipknot, Mudvayne have proven that one need not be from the media hub, or even a major market, in order to stamp a strong-perhaps lasting-impression upon the psyche of the world's rock masses. "Our primary motivations and influences have been movies and directors, that sort of thing," sPaG said. "Stanley Kubrick's world in general has influenced us, but 2001 especially-some of the metaphors int hat movie were a real big influence on the writing of this album. It was just a natural progression for us to pull each other into exploring these ideas togehter, which is exciting for us because we're still at the beginning of exploring how we work together as artists." It should be most interesting over the weeks and months to coem to see how the music world reacts to Mudvayne's rather drastic look, sound and attitude. Thankfully for the band, they've got friends in high places, and some of those friends-most notably the members of Slipknot-have helped blaze a path for Mudvayne to follow during their first steps through the rock wilderness. In fact, the Knot gang has been essential to Mudvayne's recent rise to prominence, with that group's Shawn Crahan(#6) serving as executive producer of L.D 50(which takes its name from a potentially lethal dose of chemicals), as wel as helping to secure these upstarts a prominent place on last summer's, Slipknot-headlined Tattoo the Earth tour. Quite apparently, it's a relationship that has provided beneficial for all involved. "Slipknot are a great band, and they're great people." Kud said. "Shawn's seen something in us that was very genuine, and I also hope that people can see that the music we make is very passionate and honest. We stand behind it and we believe in it."
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Hit Prader Jan. 2001 Shooting Stars Perhaps some of you have seen Mudvayne as they've toured North America, often serving as the opening act for Slipknot. Perhaps others have been introduced to this decidedly different quartet through the music contained on their major lable debut, L.D. 50. And still others, maybe have discovered this "hard-core groove" band through their amazingly stylish and deeply disturbing videos. But no mater how you may have been introduced to the unti comprised of guitarist Gred Tribbett, bassist Ryan Martinie, drummer Matthew McDonough, and vocalist Chad Gray, the fact is that this unit known as Mudvayne is one of the most intriguing new acts to have hit the rock scene in recent months. "People want to label us, and compare us to other bands," Gray said. "I think that's almost impossible to do. Our influences are more than musical-they come from literature, from film, from art, from the world that surrounds us. That's why to say this element or that element of what we do reminds you of something else is rather pointless." Whether or not one successfully draws comparisons between Mudvayne's brand of rock and intensity and those of other groups, there's little denying this unit's unique bent on the contemporary music world. Drawing in influences as diverse as Pablo Picasso and Quentin Tarrantino, on their latest offering Mudvayne has served up a challenging, inspiring, and often overwhelming kettle of musical reactants that scathe and sooth as they carry the listener on their beat-heavy journey. No, it isn't easy listening, and it's not always fun. But as many rock fans will soon begin to realize, time spent with Mudvayne is certainly time well spent. "We like to challenge those who listen to what we do,' Gray said. "We're not trying to show how skilled we are as techinal musicians. We just want to overwhelm everyone with our passion." |
WHO Shock rock philosophers from Peoria, Illinois WHAT MAKES THEM SPECIAL The firm belief that metal can have brains as well as brawn. "Too many hard rock bands convey one message: 'I'm pissed at my parents," explains drummer(and self proclaimed "super genius") SpaG. "We're trying to move beyond that." SOUNDS LIKE On their debut L.D. 50, Mudvayne balances the bullish guitars of Sepultura with ambitious otherwordly soundscapes reminiscent of Skinny Puppy. "The title of the albums,: says SPaG, "stands for Lethal Dosage 50. That's how much of a chemical it takes to kill 50 out of 100 test subjects. The metaphor is that everything - sex, religion, drugs - has a point of consequence. When you shoot a syringe of heroin, how far are you willing to go? Where do you daw the line?" THEY LIKE TO WATCH Stanley Kubrick's classic 1968 movie, 2001: A Space Odyssey. The opening track on L.D. 50 is entitled "The Monolith" in tribute to the mysterious object that appears throughout Kubrick's space epic. "Our album is about transformation, experimentation, and progress, themes found in the movie." FACE VALUE "The makeup is just the beginning - it's all we could afford on a limited budget. Eventually, our shows will be so big they'll eclipse IMAX." QOUTE/UNQUOTE "I always smile onstage," says singer Kud. "What better way to get you to drop your guard before I punch you in the face?" CHANCES OF SURVIVAL The combination of clown white, heavy metal and ubermensch philosophy launched the careers of David Bowie and Marilyn Manson, so why not these bozos? |
Hit Parader Feb. 2001 MUDVAYNE FACING THE FUTURE
When you look like Mudvayne, sound like Mudvayne and act like Mudvayne, attracting attention is not a particularly difficult thing to do. In fact, these days it seems as if this strikingly strange quartet from Peoria, IL is garnerning more attention than they ever could have imagined. With the success of their debut album, L.D. 50 and their co-starring role on last summer's Tattoo the Earth road show(which, by the way, was headlined by their mentors in Slipknot), vocalist Kud, bassist Ryknow, guitarist Gurrg, and drummer sPaG currently find themselves in the position of being one of metal's latest "can't miss" sensations. While some of the more sedate members of the contemporary music community have been turned off by the group's horrific facial makeup and blood curdling metallic soundscapes, many others have quickly discovered the almost hynotic appeal brought forth by this crazed unit. Recently we got together with both Kud and Gurrg to learn all we could about the secrets behind htis phenomenon known as Mudvayne.
HP: How would you describe Mudvayne's music to someone who had never seen or heard you before? Kud: Man, thats not an easy thing to do. The way we look and sound is so unique that it's hard to describe it in words. It's something you've really go to experience to understand. Our goal is to have the first ten rows of people just overwhelmed by what's going on in front of them. Gurrg: Our music is very power driven. That's the way I would describe it. But it's also very music oriented. We're all musicians up there, so its more than the theatrics or the volume. It's a whole sight and sound extravaganza.. HP: Many people might wonder how a band "escapes" from Peoria to reach a national stage. Gurrg: It's so quiet in Peoria that if you want to do anything more than occasionally play in a club, or dream of having a big show in Chicago, you've got to get out. A few years ago we started looking at ourselves as a national band, and that changed everything for us. Kud: There's alot of talent in Peoria. We know alot of really good musicians from there. But it's also a very frustrating place because there's no such thing as a "night life". There aren't too many benefits for a band to come from a place like that, so we moved on with it and took it all to the next level. HP: We know that Slipknot has been a big help to you. How did that come about? Kud: It's a long story. We were playing our showcase gig for our record label, and we were supposed to perform in this 2,000 square foot room. We had heard that some of the guys in Slipknot might show up, and that was cool with us. They knew of us through some early tapes we had done. That was when they were just beginning to break, and since they're from Iowa, and we're from Illinois, we kinda felt a certain kinship. We didn't know how many of the guys would show up, but when we went on stage that night there were all of FOUR people in that place--our manager, the guy from the record label, one of our tech guys, and Clown from Slipknot. That was it. Then, almost as soon as we started playing, my microphone went dead. So I just went out and screamed the words without a mic. Nobody could hear me, but that was okay. After the show Clown came up to me and said "You've got some serious issues, dude, I love it" From then on, he's been a big supporter of ours. HP: You've already created quite a stir in rock circles with your album and your live shows. Have things gone the way you might have expected? Gurrg: I don't know if we had any real expectation. We all believed in the music and in what we were doing. W had started writing this material two years ago, and we've worked on it until we all felt very confident that we were creating something kind of special.All we can ask is that people get off on our music as much as we do. Kud: I don't think it's going to be any kind of personal recognition that allows us to feel wev'e really accomplished anything. It all boils down to how many albums we sell. The way you know you've reached someone is when they go and buy your album. it's not really about the dollars and the cents as much as it is about the commitment that they make to you, and you make to them. HP: Is there any particular significance to the makeup yu each wear? Kud: Once we started performing on a regular basis, we knew that we wanted to bring a more theatrical element into the band. The makeup and what we wear is there to enhance the experience of seeing us live. We're trying to take everything to the limit. We want it to be off-the-wall. The makeup helps us accomplish that. But you shouldn't read too much into it. It's not a reflection of our souls or anything like that. HP: Were you heavily influenced by bands like Kiss? Kud: Kiss was an influence to some extent--but no where nera as much as Motley Crue or Metallica. We've been influenced by so much over the years. I mean when I was a little kid, Peter Frampton was an influence on me. Then it was Ozzy and Alice Cooper, along with everyone from Peter Gabriel to Michael Jackson. Then I discovered Motley Crue and my life changed....at least until Metallica released Ride the Lightning. Right after that it was Motely who? HP: You have a rather unusual title for your album, L.D. 50 Where did you come up with that? Gurrg: Believe it or not, we had that title long before we even had a record deal. We knew we wanted to call our first album that more than three years ago. The term "L.D. 50" means the amount of a lethal substance that it takes to kill half of the test subjects over a period of times. That means a lot to us because we believe that with everyone's life theres always something lethal going on--be religion, sex, drugs, whatever. Everyone has an L.D. 50 in their life...whether they know it or not. |
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